| Issue | Title | |
| Vol 19, No 1: (2025): prosodi | Refleksi Realitas Sosial dalam Novel Qalbu Lail Karya Naguib Mahfouz: Kajian Sosiologi Sastra Swingewood | Abstract PDF (Bahasa Indonesia) |
| Nida Firdaus Albanjari | ||
| Vol 11, No 1 (2017): Prosodi | REFLEKSI SOSIAL DAN PSIKOLOGI TOKOH UTAMA DALAM NOVEL NARCISSU KARYA TOMO KATAOKA | Abstract PDF (Bahasa Indonesia) |
| Sudarwati Sudarwati, Dedy Aristyanto | ||
| Vol 9, No 1: JANUARI 2015 | REGISTERS IN ONLINE GAMES “Defense of the Ancient, Point Blank and Dragon Nest” | Abstract Tidak berjudul (Bahasa Indonesia) |
| Franky Nur Dwi Pratama | ||
| Vol 7, No 1: JANUARI 2013 | Relasi Makna (Sinonimi, Antonimi, dan Hiponimi) dan Seluk Beluknya | Abstract PDF (Bahasa Indonesia) |
| Masduki Masduki | ||
| Vol 20, No 2: Prosodi (In-Press) | REPERTOIRE DALAM NOVEL IKAN-IKAN HIU, IDO, HOMA (KAJIAN RESPONS ESTETIK WOLFGANG ISER) | Abstract PDF (Bahasa Indonesia) |
| Royani Royani | ||
| Vol 20, No 1: Prosodi | Representation of Local Cultural Values in Three Digital Short Stories: a Narrative Study of Contemporary Indonesian Literature | Abstract PDF (Bahasa Indonesia) |
| Nensilianti Nensilianti, Ridwan Ridwan, Muhammad Alfian Tuflih | ||
| Vol 18, No 1: (2024): prosodi | Representation of Madurese Dialects in English Study Program Students at Universitas Trunojoyo Madura | Abstract PDF |
| Muhammad Arman Indra Wahyudi, Mohammad Halili | ||
| Vol 19, No 2: (2025): prosodi | Resistensi Tokoh Perempuan dalam Cerpen Lesung Pipit Karya Eka Kurniawan: Feminisme Kekuasaan Naomi Wolf | Abstract PDF (Bahasa Indonesia) |
| Nensilianti Nensilianti, Ridwan Ridwan, Reztu Dwi Sakti M | ||
| Vol 17, No 1: (2023): prosodi | Revealing EFL Students’ Perception towards the Implementation of Kahoot! in Learning Narrative Text at the Secondary School Level | Abstract PDF |
| Melina Cahyaningtyas, Nur Chakim | ||
| Vol 16, No 2: (2022): prosodi | Revealing Equiterra Campaign by United Nations Women: Multimodal Perspective | Abstract PDF |
| Mira Melati Sukma, Laily Maulida Septiana Harti, Lisetyo Ariyanti | ||
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