Komunitas Pengabdi Seni Musik Tradisional Karinding di Kampung Jaha Tangerang

Tyas Siti Nur Asiyah, Musahwi Musahwi

Abstract


The existence of music as a representation of traditional culture increasingly doubted by various parties. Especially when he has to deal with international music that has a modern genre. In Indonesia, in line with today's global culture, traditional music is slowly being forgotten. Even considered the music peripheral by his own generation because it is not in line with the latest music trends. Is a community of Barak Karinding that plays traditional musical instruments Karinding typical Sundanese, they try to fight the flow. It is important to be studied with regard to the understanding of Karinding musical art, as well as the social values of humanity (local wisdom) that they stretcher in daily life amid the onslaught of global music products today. The type of this research is qualitative, by trying to describe the phenomenon naturally based on the social setting as it is. The results of this study describes among others: a) Karinding music has value, Belief, Patience, Conscious. As a universal message of their music. b) loving art is loving humanity. That is, musical works are not created for the interests of the market as the mindstream of music today, but to develop constructive human beings.

Keywords


traditional music; Karinding; humanity

Full Text:

PDF

References


Reksa, A. (2015). Tinjauan Buku Kritik Terhadap Modernitas. Jurnal Kajian Wilayah, Vol. 6 No. 1. Lembaga Ilmu Pengetahuan Indonesia.

Lamhatunnadzori, A. (2016). Terater Musik Kontemporer Barak Karinding (Bakkar) Sebagai Media Melestarikan Nilai-Nilai Budaya. Skripsi Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Sultan Ageng Tirtayasa.

Fromm, E. (1956). The Art Of Loving. New York: Harper & Row.

Hardiman, B. (2003). Melampaui Positivisme dan Modernitas. Yogyakarta: Kanisius.

Arviani, H. (2013). Budaya Global dalam Industri Budaya: Tinjauan Madzhab Frankfurt Terhadap Iklan, Pop Culture, dan Industri Hiburan. Jurnal Global & Policy, Vol.1 No. 2. FISIP UPN “Veteran” Jawa Timur.

Daryana, H. (2016). Pergeseran Fungsi Instrumen Karinding di Jawa Barat. Jurnal Pendidikan dan Kajian Seni Vol.2, No.2 . Institut Seni Budaya Indonesia.

Idrus, M. (2009). Metode Penelitian Ilmu Sosial. Jakarta: Erlangga.

Horkheimer, M. & Adorno, T. W. (2002). Dialektika Pencerahan. Terjemahan Ahmad Sahidah. Yogyakarta: IRCiSoD.

Friesen, N., Henriksson, C. and Saevi, T. (2012). Hermeneutic Phenomenology in Education. New York: Sense Publishers.

Plekhanov, G. V. (2007). Seni dan Kehidupan Sosial. Terjemahan Samandjaja. London: Art Social Life.

Suneki, S. (2012). Dampak Globalisasi Terhadap Eksistensi Budaya Daerah. Jurnal Ilmiah CIVIS, Volume II, No 1.

Sugiyono. (2014). Metode Penelitian Kuantitatif, Kualitatif, dan R&D. Bandung: Alfabeta.




DOI: https://doi.org/10.21107/sml.v1i2.4991

Refbacks

  • There are currently no refbacks.


Copyright (c) 2018 Tyas Asiyah, Musahwi

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

--------------------------------------------------------------------------------------------------------------------------------------------------------

Simulacra has been indexed in these prominent indexing services:

Sinta 2DOAJIndex CopernicusEBSCOGoogle ScholarCrossrefDimensionsWorldcatHarvard LibraryOxford LibraryUniversiteit LeidenDRJIScilit MDPIPKP IndexROADBASEMorarefColumbia LibrarySheffield LibraryCORE

 

 Simulacra is licensed under a Creative Commons BY-NC-SA and published by the Center for Sociological Studies and Community Development, Department of Sociology, Universitas Trunojoyo Madura, Indonesia.