Enola Holmes Case: An Invasive Pastiche for Embodying a Holmes Sister as the Feministic Detective

Azani Fitri Gooniyah, Adeltirha Yasnu Army, Thafhan Muwaffaq

Abstract


This paper discusses about how ‘Enola Holmes’ film is a diegetic extension that represents feministic ideas. Intend to explain the relation between the feministic ideas and the concept of postmodernism. It is argued that the narrative of Enola Holmes reuses and recycles narrative of Sherlock Holmes in form of pastiche so to extend the pre-existing grand narrative of Sherlock Holmes. The extension makes it possible to render a portrayal of independent and self-determined female detective.

 


Keywords


adaptation; feminism; narrative; postmodernism

Full Text:

PDF

References


Ardianto, D. T. (2014). Dari Novel ke Film: Kajian Teori Adaptasi sebagai Pendekatan dalam Penciptaan Film. Panggung, 24(1). https://doi.org/10.26742/panggung.v24i1.101

Bradbeer, H. (2020). Enola Holmes. Netflix.

Burke, L. (2015). The Comic Book Film Adaptation. In University Press of Mississippi. University Press of Mississippi.

Cartmell, D., & Whelehan, I. (2007). The cambridge companion to literature on screen. In The Cambridge Companion to Literature on Screen (Vol. 9780521849). https://doi.org/10.1017/CCOL0521849624

Constandinides, C. (2010). From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters across Old and New Media. In The Continuum International Publishing Group. The Continuum International Publishing Group.

Damono, S. D. (2018). Alih Wahana. PT. Gramedia Pustaka Utama.

Faidah, C. N. (2019). Ekranisasi sastra sebagai bentuk apresiasi sastra penikmat alih wahana. Hasta Wiyata, 2(2), 1–13. https://doi.org/10.21776/ub.hastawiyata.2019.002.02.01

Grossman, J. (2015). Literature, Film, and Their Hideous Progeny. In Literature, Film, and Their Hideous Progeny. https://doi.org/10.1057/9781137399021

Hogan, J. C., & Schwartz, M. D. (1964). The Manly Art of Observation and Deduction. The Journal of Criminal Law, Criminology, and Police Science, 55(1), 157. https://doi.org/10.2307/1140473

Komang, N., & Suwastini, A. (2014). IN / FIDELITY CRITICISM : MENUJU KAJIAN ADAPTASI YANG LEBIH KRITIS DAN TERBUKA. Seminar Nasional Riset Inovatif II.

Krebs, K. (2013). Translation and adaptation in theatre and film. In Translation and Adaptation in Theatre and Film. https://doi.org/10.4324/9780203405543

Leitch, T. (2007). Film adaptation and its discontents: From gone with the wind to the passion of the Christ. Film Adaptation and Its Discontents: From Gone with the Wind to The Passion of the Christ, 1–354. https://doi.org/10.5860/choice.45-2508

Lind, P. B. (2016). Telling and Re-telling Stories: Studies on Literary Adaptation to Film. In Cambridge Scholars Publishing. Cambridge Scholars Publishing.

Praharwati, D. W., & Romadhon, S. (2017). Ekranisasi Sastra: Apresiasi Penikmat Sastra Alih Wahana. Buletin Al-Turas, 23(2), 267–286. https://doi.org/10.15408/bat.v23i2.5756

Ryan, M. L. (2013). Transmedial storytelling and transfictionality. Poetics Today, 34(3), 361–388. https://doi.org/10.1215/03335372-2325250




DOI: https://doi.org/10.21107/prosodi.v16i1.13374

Refbacks

  • There are currently no refbacks.


Copyright (c) 2022 Azani Fitri Gooniyah, Adeltirha Yasnu Army, Thafhan Muwaffaq

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Indexed By :

 width=  width=  width=   width=  width=  width=  width=

FEE 400.000 IDR

Publisher

Department of English
University of Trunojoyo, Madura
Jl. Raya Telang, Kamal - Bangkalan 69162

 

Prosodi: Jurnal Ilmu Bahasa dan Sastra

ISSN: 1907-6665 (Print) ISSN: 2622-0474 (Online)

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Based on a work at journal.trunojoyo.ac.id