THE DRAMATIC IRONY IN THE TWO COMEDIES, GEORGE BERNARD SHAW’S PYGMALION AND OLIVER GOLDSMITH’S SHE STOOPS TO CONQUER

Siti Hanifa

Abstract


Penelitian ini adalah kajian pustaka yang bertujuan menemukan pola ironi yang dipakai penulis drama dalam mempertahankan alur cerita dan menarik minat pembaca untuk menuntaskan pembacaan karya sastra. Ditemukan bahwa alur komedi dalam  Pygmalion karya George Bernard Shaw dan She Stoops to Conquer karya Oliver Goldsmith didominasi oleh  ironi dramatik berupa kesalahan beberapa tokoh dalam mengidentifikasi  dan kesalahan dalam menginterpretasi tindakan atau sikap  tokoh lainnya..


Keywords


dramatic irony, mistaken identity, misinterpretation

References


Bogdan, Robert C. and Sari Knopp Biklen. 1962. Qualitative Research for Education. London: Allyn & Bacon.

Goldsmith, Oliver. 1909. She Stoops to Conquer in C.E. Doble and G.Olster (eds.) The Plays of Oliver Goldsmith. London: Henry Frowde, pp. 88-168.

Miles, Mathew B. and A. Michael Huberman. 1984. Qualitative Data Analysis. Beverly Hills: Sage Publication.

Reaske, Christopher Russel. 1966. How to Analyze Drama. New York: Monarch Press.

Shaw, George Bernard. 1961. Pygmalion. New York: Holt, Reinhart and Winston.




DOI: https://doi.org/10.21107/prosodi.v3i1.332

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Department of English
University of Trunojoyo, Madura
Jl. Raya Telang, Kamal - Bangkalan 69162

 

Prosodi: Jurnal Ilmu Bahasa dan Sastra

ISSN: 1907-6665 (Print) ISSN: 2622-0474 (Online)

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Based on a work at journal.trunojoyo.ac.id